Ballet has this funny thing, it's a funny little focus on being beautiful that doesn't exist in other places, and certainly not where I am most familiar with doing things like the splits. Where I'm from the splits are called hanumanasana, and they're kidney-cleansing, not choreography. I come from Yoga. Beauty to me is an idiom of ballet, for which I have begun to spread my legs one day a week.
Certainly I find yoga beautiful, but I don't strive to make it so. Ballet, it seems, is for others. Yoga, it seems, is for oneself. (Wouldn't it be curious if the masses flocked to yoga recitals, and ballerinas pirouetted for spiritual enlightenment?) There is nothing upsetting per se about exercise for the sake of beauty. But for the watcher, being watched is a struggle. I find myself becoming angry when my teacher emphasizes the angle of the class's arms, as if they were lengths of maneuverable compass. Here I am, a voyeur being exploited by exhibitionism. Is this a betrayal of personal idiosyncrasy? I don't think so. I am but a bag of tricks, and here are a few more. T-ruler neck, scissor legs, compass arms. It's an aquisitive attempt at advantage - to be pursued as much as possible.
Our childhoods are so repressingly formative; our neural pathways for pleasure, for comfort, for fear, for fashion, are so carved that I wonder how much we are really "choosing." Therefore I am in a constant state of war with my happiness, and this is why. I am questioning where my intuition comes from. It is arbitrary! I am re-exposing the photograph of my mind with ballet. And I am forcing myself to be beautiful when I am used to doing down dog.
5 years ago



